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The liquid level changes from end to end must be considered in the design of the inlet and outlet devices. Too low a liquid level can result in gas blow-by of inlet cyclones, whereas too high a liquid level can cause siphoning of liquid through the mist extractor.

Table 3 gives some estimates of the natural period of the liquid for vessels undergoing lengthwise motions (sway). The periods are in the order of 10s, which is similar to the period found for floating platforms such as tension leg platforms (TLP) and floating production, storage and offloading (FPSO) vessels under a 10-year storm condition.

The alignment of the separators with the structure motion should be considered when designing the layout. For example, on TLP, the vessels are recommended to be aligned with their long dimension, perpendicular to the TLP prevailing motion. On ships, the magnitude and period of the pitch and roll should be considered when aligning the vessels. Normally, it is recommended to align the separators with their long dimension along the length of the ship.

The available literature, as described by Roberts et al. [2] , highlights two main features of wave-damping internals:

On some ships, fuel tanks fill with sea water, as the fuel is spent, to prevent problems associated with sloshing.

Shifting the natural frequency is usually accomplished by segmenting the vessel with transverse baffles. The baffles are perforated, can be placed throughout the liquid phase, or can be placed in the region of the oil/water interface. However the following are major concerns:

Horizontal perimeter baffles can be used, but they have disadvantages as well. Other baffle shapes include angled wings along the length of the vessel to mitigate waves because of roll as well as vertical perforated baffles down the length of the vessel. Table 4 highlights the differences between horizontal and vertical baffles.

Stable control of the oil/water and gas/oil interfaces is important for good separation. The typical two-phase separator level settings are shown in Table 5 . For three-phase operation, level settings are placed on both the oil/water interface and oil/gas interface levels.

Typically, the spacing between the different levels is at least 4 to 6 in. or a minimum of 10 to 20 seconds of retention time. The location of the lowest levels must also consider sand/solids settling. These levels are typically 6 to 12 in. from the vessel bottom. Minimum water/oil pad thicknesses are approximately 12 in. Note that these minimum settings may dominate the vessel sizing as opposed to the specified retention times.

In a two- or three-phase horizontal separator with very little liquid/water, a boot or “double-barrel” separator configuration is used. All the interface controls are then located within the boot or lower barrel. Examples of these types of separators can be seen at Separator types .

USS Preble (DDG-88)

Stephen Decatur One of the “Preble’s Boys,” Decatur was catapulted to national fame after he lead a raid that was so audacious during the First Barbary War, it was proclaimed by British Vice Admiral Lord Horatio Nelson, Radley Pocket Bag Leather Large Across Body Bag Navy YH9HPUnX
On February 16 th , 1804, Decatur sailed a small ship next to the captured ship USS Philadelphia. Philadelphia had run aground the previous October and Decatur had no intention of letting the Tripolitans turn the ship into a floating fortress. Decatur’s mission was to board, capture and burn the frigate.

Stephen Decatur

During the First Barbary War, Decatur led a raid so daring it was called, “the most bold and daring act of the age” by British Vice Admiral Lord Horatio Nelson himself.

During the mission, his small force was spotted by pirates aboard Philadelphia but seized the initiative. The pirates were dispatched after a quick fight and Decatur’s crew set the ship on fire. Thus denying its use by the enemy. Following a narrow escape, the raid was deemed a complete success and the Americans suffered no casualties. For his leadership and bravery in the First Barbary War, Stephen Decatur, at the age of 25, became the youngest naval officer in history to be promoted to Captain and would go on to enjoy success in the War of 1812 and the Second Barbary War.

USS Decatur (DDG-73)

Matthew C. Perry Often called “The Father of the Steam Navy,” Perry is best known for leading a naval campaign that never fired a shot. On July 8, 1853, Perry displayed America’s modern fleet and advance firepower to the Japanese when he led four ships into the harbor at Tokyo Bay. More so, Perry emphasized his resolve to use them if needed. The Japanese relented and signed several treaties that provided protections for stranded or shipwrecked sailors and reestablished regular trade with the western world.

Matthew C. Perry

Considered “Father of the steam Navy,” Perry was also a big advocate of education and established curriculum for the Naval Academy and supported an apprentice system to train newly enlisted seamen.

But it was Perry’s actual ongoing ambitions that made his most famous mission possible; modernization. Years prior to that revolutionary appearance in Tokyo Bay, his advocacy for the steam engine and his foresight to promote naval education for officers and enlisted Sailors sealed his legacy. Perry helped establish the professional naval curriculum for the United States Naval Academy and supported an apprentice system to train newly enlisted seamen. Once promoted to captain, he oversaw construction of the Navy’s second steam frigate USS Fulton (1837), which he commanded after its completion. Commanding a new ship for a new era, he laid the foundation for his profound expedition.

Anywhere II

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released May 4, 2018 Ethan Miller - Guitar, Vocals, Keys (Track 1) Cyrus Comiskey - Bass (Track 1) Dale Crover - Drums (Tracks 1, 9) Toshi Kasai - Keys (Tracks 1, 4) Christian Eric Beaulieu - Guitar (All tracks), Drums (Tracks 2, 5, 8), Organ (Track 3), Percussion (Tracks 4, 6, 7) Bret Constantino - Vocals (Tracks 2, 9), Keys (Track 9), Harmonica (Track 9) Matt Holliman - Guitar (Tracks 2, 9) Phil Manley - Bass (Tracks 2, 5) Mike Watt - Bass (Track 3) Gregory Rogove - Drums (Track 3) Isaiah Mitchell - Harp (Track 3) Jonathan Hiscke - Bass (Tracks 4, 6, 7, 9) Krist Novoselic - Accordion (Tracks 5, 9) Phil Manley - Bass (Track 2, 5) Cedric Bixler Zavala - Drums (Track 6) Naima Mora - Vocals (Track 8) Larry Boothroyd - Bass (Track 8) Recording Mixing by Toshi Kasai, Phil Manley, Phil Becker Mastering by Phil Becker Artwork by Sonny Kay
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